Friday, 30 December 2016

Clicking White Subject in a Wildlife Photography Workshop

While you are taken on an expedition to complete an assignment for a wildlife photography workshop, you might have a lot of experience of photographing several white subjects. Polar bear, for an instance, always arouses the interest of wildlife photographers. Arctic fox, snowy owl, arctic hare, and willow ptarmigan- there are many white animals that can cross the path of a wildlife photographer. Keeping these aside, even if you want to photograph a snow-covered land or nature’s photo when it is snowing, you need to know how to click white subjects. However, a lot of photographers fail to understand how they can work it out.

wildlife photography course

Problems with exposure control
The key point that a photographer needs to remember is that while you shoot a white subject, your meters tend to read for middle tone. A meter cannot distinguish among a white bird, a gray bird or a black bird. For the meter, they are all the same. So, a meter will provide you with a zero exposure in all these cases. Unfortunately, this makes a white bird look gray, the gray bird looks middle-toned and a black bird will also look gray. This creates a disaster.
A lot of people suggest using evaluative metering or matrix metering to solve this problem. Veterans in a nature photography workshop always suggest that using spot metering in manual mode can help to solve this process. You can have absolute control over the process this way and click white subjects without worries.
This helps to set the meter perfectly. You do not need to second guess or put a bracket on your meter. This method practically ensures that the exposure is accurate.
Other components
In a macro photography course, photographing white substance becomes all the more difficult. You need to maintain the focus as the view of angle is broader than normal photography. At the same time, you need to control the exposure also. You need to thoroughly understand histograms, metering for white, black and all tonalities. These will help to develop the understanding of exposure in detail.

Color balance is a very important factor for wildlife photography workshop. It can change the quality of your photograph significantly. So, you need to decide which technique you will use to balance the exposure of a white subject. Proper theoretical knowledge and constant practice can lead you to perfection. So, diligent practice is the key to your success.


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